The Middle Ages: S T 12 Fashion

In 2018, after completing his Bay Area coursework via the always-awesome TROPICAL SLEEP, RAZZ and THE PETS, rocker dreamboat Dan Wood returned to his native Seattle with fresh air and family as his focus. This primo doggie couldn’t rest for long though, hence THE MIDDLE AGES — a new combo formed with Cris Wood (here sharing the astute performing songwriting talents she’s honed in countless punk, 60s soul and even samba combos!) and long-time dapper bud Donny Hilstad (go-to drummer from THE STATICS, THE DUTCHESS AND THE DUKE and all sorta other one-off mod-minded outfits). Sure, middle-aged Middle Ages — you get it — BUT there’s a lot more to it than that. The Middle Ages chase those hard-to-reach spaces: tiny cracks where pop and rock, punk and garage, boom and boogie all get equal footing.

The most massively effective aspect of The Middle Ages is the co-mingled songwriting and vocals of Cris and Dan — a shared approach in each tune rather than rigid his her trade-off — inducing an infectiousness not dissimilar to THE RATS or even X. The shagginess of Dan’s guitar work is thankfully retained, lending itself to real bounce without trading in any crunch. Is it 60s fuzz or 70s punk or even large-scale 80s power-pop? YES, to all of that and then some. It’s the sneakiest and most compelling component at play here, this unspeakably secret weapon that somehow infiltrates even the hardest hearts. There’s zero consideration of micro-genre restrictions with The Middle Ages as well. All aspects of the performance: pounding rhythm, guitar noize, sweet shake, whatever it takes — it only serves the songs, which all uniformly (really) rock.

Knowing a good thing early on, Hilstad & The Woods formed Ripe Records to self-release their inaugural batch of records, DIY family-style. These 10 tunes are the first you’ve heard from The Middle Ages, but they most certainly won’t be the last. Recommend to all big beat devotees! 

Our take: Debut release from this punk band out of Seattle. The members have a heavy resume, but I wasn’t familiar with any of their previous projects, so I went in to the Middle Ages fresh. What I found was unpretentious punk rock that sounds like it walked straight out of the mid-70s. While it’s not self-consciously retro, it still captures the classic sound of first-generation, pre-hardcore punk. In particular I’m reminded of bands like the Saints, the Stranglers, X, Generation X, the Jam, and the Replacements. These are bands who only had a negligible attachment to punk as a subculture, but found a natural affinity with it thanks to their appreciation of the fast, the loud, and the raw. Further, these bands had top-notch pop songwriting chops, which made their best material feel like instant classics. The Middle Ages shares those characteristics. I can’t think of any other current bands that sound this direct and effortless. If you’re a fan of the aforementioned classic groups, this is well worth checking out.